How do the principal musical manifestations found in sub-Saharan Africa reflect the collective community and encourage group participation? Be sure to use specific musical examples from this week’s listening and academic information to support your ideas. (The weekly listening examples are in Weekly Content section > Week 6 Required Listening.)
Discussion Guidelines:
Three posts minimum.
The initial forum response is due by Thursday at 11:55 p.m. EST and must be 250+ words in length.
orld Music CD 2 – #19 Ghana: Polyrhythmic Instrumental Ensemble – “Fante Area: Vocal Band”
World Music CD 2 – #20 Ghana: “Talking Drums”
World Music CD 2 – #21 Ghana: Jùjú Popular Music – King Sunny Ade – “Oro Yi Bale”
World Music CD 2 – #22 Democratic Republic of Congo: Pygmy Music – “Elephant song”
World Music CD 2 – #23 Zimbabwe: Mbira Dza Vadzimu – Shona Ancestral Spirit Song – “Nyama Musango”
World Music CD 2 – #24 Uganda: Akadinda – Baganda Akadinda Song – “Gganga Aluwa”
World Music CD 3 – #1 Senegal: Jali with Kora – “Kuruntu Kallafa”
World Music CD 3 – #2 Republic of South Africa: Mbube vocal choir – “Phesheya Mama”
World Music CD 3 – #3 (Bonus Track) Republic of South Africa: Ladysmith Black Mambazo – “Because I Love You”
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