Explain how Asghar Farhadi manage to win two Oscars for Best Foreign Language Film for his films A Separation (2011) and The Salesman (2016), making him one of the few directors worldwide who have won the category twice, while following strict censorship laws?

In folder “Papers Topics Deadlines 2.pdf”: You will find all info on what’s required in term of format, structure, what to include in my paper, and all of that in this paper
In MENA471 PRES-3.pdf:This is a presentation I did for my professor, it’s a topic proposal and he approved it. So this powerpoint has brief information on the topic I want to write about and it can’t be changed.
Research Question: •If artistic freedom is the first element of creativity, How did Asghar Farhadi manage to win two Oscars for Best Foreign Language Film for his films A Separation (2011) and The Salesman (2016), making him one of the few directors worldwide who have won the category twice, while following strict censorship laws?

Arguments: Destruction and censorship in Iranian cinema is the reason for Iranian films to rise on and challenge on a global level and win awards, It was the motivation that sparked the urge for filmmakers to challenge the limitations.
•Many foreign forums have lauded post-revolutionary Iranian film in recent years.
•International audiences have been drawn to this national cinema because of its particular style, subjects, writers, concept of nationhood, and embodiment of culture.
• In my research paper, I will scrutinize the birth of this new cinema by offering a brief historical overview of contemporary Iranian cinema, with a comparison with Iranian Cinema before the revolution.
•My paper will focus on my theory on how contemporary Iranian movies won International recognition and awards of while following strict censorship laws
Background on top: Notwithstanding the significant amount of restriction, both current and general, Iranian film makers have reacted with creativity and innovation with the end goal of continuing to make heartfelt films. Regardless, the hurdles erected in the film industry today are producing a different outcome. Despite the fact that movies are still being made that make waves in the global film arena, for example, •If artistic freedom is the first element of creativity, How did Asghar Farhadi manage to win two Oscars for Best Foreign Language Film for his films A Separation (2011) and The Salesman (2016), making him one of the few directors worldwide who have won the category twice, while following strict censorship laws?
• Farhadi’s 2 Oscar-winnings, the movie Salesman, and the movie A Separation, the effect of revived control is having a radically different effect on the majority of movies created; it is truly skewing the landscape of Iranian movies downwards. Furthermore, with the final objective of avoiding being banned and censured in mind, the new generation of Iranian CEOs are striving to skirt these red lines by narrating their experiences in a more distinctive way and deciding on fewer dubious topics. New films are becoming more similar to one another and exploiting the same issues by minimizing conversation and transmitting their messages secretively, covered in multiple layers

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