Discuss how Germi creates the sense of oppression in Sicilian society both aesthetically and narratively in his film, Divorce Italian Style.

Discuss how Germi creates the sense of oppression in Sicilian society both aesthetically and narratively in his film, Divorce Italian Style. What camera techniques does he use to convey this feeling? Secondly, what is the nature of oppression in this film, and what are the terms of the film’s social commentary? Describe one cinematic sequence from Divorce Italian Style which you feel demonstrates a heightened feeling of oppression for one or a few of its characters.

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