A. How far and to what effect do at least two of the works you have studied make use of individual or multiple voices to articulate key ideas?
B.In what ways are at least two of the works you have studied interested in the portrayal of psychological, physical, or some other kind of violence?
C.In what ways and to what effect do at least two of the works you have studied explore the conflict between public and private interest?
D. Though plot may be said, at its simplest level, to be a sequence of events, what truly distinguishes prose fiction is the use of narrative disruption: impediment, detour, diversion or digression. In at least two works in your study, how have writers created narrative disruption and to what effect?
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