Read the article and write a response. You may respond in any way you like, but if you need a starting point, here are some questions:
How would you define this term exhibitions prosthetics in your won words?
How are exhibition making and disability theory connected?
What are some examples of what Grigely calls exhibition prosthetics that you have seen at an exhibition?
How did these examples help or effect your experience of the exhibition?
Is there a certain project that piques your interest? Why?
How does Grigely characterize the role of the caption? What is its role in our understanding of art and in disability theory?
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