Themes of Aristotle and the original Disney Pinocchio

The essay must be typed and double-spaced, approximately 4 pages, though longer is
fine. DO NOT USE ANY RESOURCES BEYOND YOUR CLASS NOTES, CLASS
RECORDINGS, AND THE TEXTS WE’VE READ, or the movie you’re analyzing.
The course syllabus includes the following: The essay will be graded on the amount of relevant material you bring to bear in answering the questions, how well you are able to connect ideas in a logical sequence, and the degree to which you demonstrate that you understand the positions you’ve
studied.

1. In Pinocchio (Disney Studios, 1940), Pinocchio can be understood as fulfilling his
potential, or becoming a good person in the way Aristotle describes this. Please explain,
with as many details as possible. Be sure to include the role friendship plays.

The best papers will not be identical, though each will cover most of the
relevant material. In addition, the best papers will be organized in such a
way as to make logical transitions from one idea/concept/consideration to
the next. This is an indication that the writer has a clear grasp of how
general lines of argument fit together (as opposed to an essay that is
structured primarily around the order in which concepts were introduced in
class and recorded in notes). The best papers are careful to explain, define,
and/or give examples of the central ideas. This indicates that the writer
understands those and is not merely including terms that s/he knows are
important. The best papers also refer appropriately to the texts under
consideration, using references to bolster or illustrate a point being made,
not as a substitute for the writer’s own analysis. A consistent method of
citation should be used.

Women’s Place in the Family in Renaissance Florence

TOPIC: Women’s Place in the Family in Renaissance Florence
AUDIENCE:
College students or faculty members who have not read Locke’s From Scratch and have not been exposed to the information in the articles and videos presented in this class.
PURPOSE:
To inform your audience about what you have discovered through your research and to persuade your audience to agree with your opinion as you state it throughout your essay.
REQUIREMENTS:
Use at least four “scholarly” sources.
Use the MLA 9 format for page set-up, proper in-text citation, and your “Works Cited” page. Y
Write a minimum of 1100 words.
Smoothly synthesize the information from your sources with your own words so that they read in grammatically correct sentences. This applies to summaries, paraphrases and direct quotes of the sources.
Use a signal phrase and give the full title of the source, the full name of the author, the author’s credentials, and the page number when first introducing each source. After the first mention, use only the author’s last name and the page number. If there is not author, mention the first few words of the title. Ignore the requirement if there is not page number listed, as in an online source.
Avoid plagiarism by citing sources properly.
Compose focused and coherent paragraphs with one main point, a topic sentence that states this point, evidence from sources to support that point, and no information that is off point.
Properly cite all sources in MLA format whether quoting, summarizing or paraphrasing to avoid plagiarism.
Create a title that reflects what your essay is about. Use the words in your thesis statement as a guide.
Formulate a thesis statement that states a position you will support regarding your topic and use concrete language that lets your readers know what to expect.
Include a WORKS CITED page according to the MLA, 9th edition format, which will serve as the last page of your essay.

Ethics of breaking a group contract

Essay instructions attached,

Essay Proposal attached with some information that can be used towards the essay,
Dilemma/Topic
Your professor assigns a group project worth 35% of your final grade. There are four of you in the group and all of you have been classmates for 3 years. Three of you have been working hard to complete the project and earn a good grade. The fourth has done nothing. Do you put the name of the fourth on the project too? Or do you leave the name of the fourth off of the project and let the professor know why? Defend your answer.

Thesis statement/position
I will argue in this paper that the fourth group member has not contributed towards the project and therefore the other group members should not be obligated to include the fourth members name in the project but rather leave their name off the project and discuss the reasoning for this decision with the professor.

long term impact this event has had on the United States between1870 and 1970

Please pick an event from the textbook that occurred between 1870 and 1970.
Write a 3 – 5 page paper on the long term impact this event has had on the United States. Please include information from at least 4 different sources. Your textbook may NOT be used as a source. Please be specific with some unique details and sound data on your event.
Your paper should be written using APA or MLA style and double-spaced using Times New Roman font.
You can start your paper as soon as you have chosen a topic.

BYZANTINE DIPLOMACY

PLEASE FOLLOW INSTRUCTIONS NO PLAGARISM
This is a Source Stduy so please refrain from using outside sources. I have provided all the pdfs of the book needed. Below are detailed instructions, It should help in knowing what’s expected of the paper.
MY TOPIC; YOU CAN CREATE A THESIS STATEMENT OF YOUR OWN CHOICE AND WRITE THE PAPER TO SUPPORT YOUR STATEMENT BY ANSWERING THE QUESTIONS LISTED BELOW.
Question: According to this text extract, what was the importance of the Pechenegs, and how did the emperor advise his son to deal with them and other northern peoples? What does this tell us about the principles and methods of Byzantine diplomacy, and about Byzantine perceptions of themselves and so-called “barbarians”?
THE REQUIRED SOURCES TO CITE AND GET INFO TO ANSWER THE QUESTION.(I HAVE UPLOADED THEM HERE ALREADY)
Geanakoplos, extract #89A (Constantine VII, De Administrando Imperio, compiled in 950s(I UPLOADED THE ENTIRE BOOK BUT ALSO SCREENSHOTS OF THE SPECIFIC EXTRACT)
HST 216: Source Studies – Instructions and Questions
o The pursuit of the past, and the study of History is all about asking questions and interrogating primary sources that can give us answers to our questions.
o A Source Study is a critical analysis of assigned primary sources to answer a set historical question, which is written in a historical essay format.
o The intended learning outcomes: that students will learn how to interpret Byzantine primary sources, using internal and external criticism; will learn how to write historical essays; and will gain a deeper understanding of the question’s subject.
INTRODUCTION: Your answer must begin with an introduction that introduces and sets up your essay – the topic, the question, your proposed answers, and the source used. A good introduction is therefore crucial to the success of a good paper. Try writing the introduction last, after writing out your arguments and conclusions – this often makes writing the introduction easier and clearer. Use the sample Introduction here provided as a model, and the read carefully the excellent explanation and examples of what is, and is not a thesis in Rampolla, Writing in History, sections 4c and 4d.
Your Introduction should (and in this order):
o introduce the topic of the question, e.g., the importance of craftsmen/merchants or food supply for maintaining Constantinople, or the importance of official speeches and treatises in shaping the imperial image, and public expectations of the emperor.
o repeat the question chosen (you can repeat it word for word) and the supply your proposed answers to it – what historians call your historical thesis.
o name the primary source that you will use to prove your thesis, also briefly explaining what kind or type of primary source it (e.g., official law code, an official speech, a treatise on kingship, epic literature, poetry, religious/ritual text, historiography, philosophical tract, law code/edict, historical biography, etc.), its author (if known), its intended audience and purpose/s.

ARGUMENT: Your argument follows the introduction and is the main part of the essay. Here you answer the question at length, making points based on your interpretation of the set text.
o Your argument should follow the same order as the question.
o You should support your points by quoting and by citing your primary source/s in footnotes or
endnotes.
o Quotations should be brief (no more than one sentence) and to the point (remember to enclose
such quotations within “ ” speech marks).
o On the appropriate quotation of the source in support of your argument see Rampolla, Writing
in History, section 7, especially 7b and c (footnotes and endnotes, bibliography, and formatting
guidelines).
o For citations you must use either footnotes (listed at the foot of the page) or endnotes (listed
at the end of your paper). Your word processing program will perform these functions for you automatically – you just need look at the program’s “help” files and to click on the right button! Do not mix these two systems together – choose one and stick to it. All footnotes or endnotes, and bibliographies must be in Chicago Manual of Style format, as used in humanities scholarship. The footnotes or endnote should contain the full bibliographic citation and the exact page, extract number, and even chapter heading and line number referred to in the text. For more guidelines on note (and bibliography) citation in Chicago format see Rampolla, Writing in History, section 7c (documentation models).
o So-called MLA citation or APA citation in brackets or parentheses used in the social sciences are NOT acceptable and papers adopting this form of citation will be returned to be reformatted in Chicago format.

CONCLUSION: Your essay must close with a conclusion, summarizing your argument/points made, perhaps ending on a note of broader historical significance regarding the question and topic of the essay.
BIBLIOGRAPHY: A bibliography of the reading materials used to write your source study essay must be attached to the end of the paper. This will be brief as you will be citing wither a Handout or Geanakoplos.
o All bibliographic references must be in full and in alphabetical order by author/s second name; if there is no known author then they can be ordered alphabetically by title.
o Each entry should follow this order: first, known author of the source (if known), title of source enclosed by “ “ speech marks. If this is on a handout, then the title of the handout will suffice, e.g., “HST 216: Constantinople: Emporium of the World.”
o If the primary source for the essay is in Geanakoplos you must write the full bibliographic citation of the book, starting with the author’s/s’ name/s and title of the book, then followed by the place, press, and date of publication.
o This information can be found on the back of a book’s title page, or in the syllabus. For more documentation models for the preparation of bibliographies in Chicago style format, see Rampolla, Writing in History, sections 7c-2 and 7c-3.
When analyzing primary sources, think like a Historian: see Rampolla, Writing in History, sections 1a, 1b & 4b).
o Do not be tempted to psycho-analyze your subject, OR to see the past as a literal mirror of the present, assuming that people in the past thought like us today, OR to condemn the past, judging it in the light of what we assume to be ‘true’ in the present. You must always interpret texts in the light of their historical conditions or historical context while seeking to explain WHY or HOW ancient people behaved, thought, etc., and what this can tell us about ancient cultures.
o Do not use sloppy language, conversational English or expressions of amazement in your writing. This includes clichés, or old, hackneyed expressions, such as “last nail in the coffin” or “changed the course of history”. Do not use the term “etc.” – this is lazy and an excuse not to explain in full. You must explain in full exactly what you mean. Essay writing is formal writing and so requires the formal language and conventions of intellectual discourse.
o Avoid sweeping and problematic generalizations that cannot be supported, e.g., “Since the beginning of time human nature has remained unaltered…”. Avoid vague, empty statements – be specific in your points and the evidence cited from the sources in support. Explain the meaning of specialized terms and concepts and identify individuals and institutions you mention. You may assume that I know what they mean, but the point of the exercise is for you to show me how much you know and understand.

Examples of how to cite in Footnotes following Chicago Format
For a detailed description of footnote/endnote formatting see Rampolla, Writing in History, sections 7b-1 and 7c-1.
Published Resources:
Examples of citing in notes (book/journal titles can be italicized, as here, or underlined):
1 D.J. Geanakoplos, Byzantium. Church, Society, and Civilization Seen through Contemporary Eyes. (Chicago: University of Chicago Press, 1986), 293-295, #212a.
2 J. Alchermes, “Constantinople and the Empire of New Rome,” in Heaven on Earth. Art and the Church in Byzantium, ed. L. Saffran (Philadelphia: Pennsylvania State University Press, 1998), 19-22, fig. 1.8.
3. Herrin, J., Byzantium. The Surprising Life of a Medieval Empire (Princeton: Princeton University Press, 2009), 141-147.
Non-Published Media: How to Cite a Class Handout:
3 Handout, HST 216: Constantinople: Emporium of the World, 4-6, #3, Book of the Eparch.

Examples of Bibliography following Chicago Format
Bibliography should be placed after the end of the source study essay and arranged alphabetically by author second name. If no author, by title – titles of books/journals in italics or underlined.
Take note of the differences between this system of citation compared with that for footnotes or endnotes, which cite specific pages, sections, chapters, lines, and figures.
For a detailed description of bibliography Chicago formatting see Rampolla, Writing in History, section 7b-2, 7c-2, 7b-3.

Primary Sources in Translation:
Geanakoplos, D.J., Byzantium. Church, Society, and Civilization Seen through Contemporary Eyes. Chicago: University of Chicago Press, 1986.
Handout, HST 216: Constantinople: Emporium of the World.
Secondary Sources:
A book chapter: Alchermes, J., “Constantinople and the Empire of New Rome,” in Heaven on Earth. Art and the
Church in Byzantium, edited by L. Saffran. Philadelphia: Pennsylvania State University Press, 1998, 13-38.
A book: Herrin, J., Byzantium. The Surprising Life of a Medieval Empire. Princeton: Princeton University Press,
2009.

Compose your own scenario

For our main activity this week, you are going to compose your own scenario/case study. As health professionals, it is important to know how to summarize patient and family situations. The social history provides an important foundation for the entire team – the information we gather during our initial intake interview or patient assessment is so valuable. It takes practice because we want to include enough detail to be helpful and yet we know we can’t write lengthy reports in the chart.

As such, each student is going to write their own fictional scenario. I will review these and provide feedback to you. You will make any necessary revisions and resubmit to me so that we will use these scenarios as the basis for our next Let’s Chat: What Would You Do discussion in two weeks. At that time, you’ll each choose someone else’s scenario to use as the basis for locating appropriate referrals and you’ll have a chance to offer feedback about the scenario as well. This is meant to be fun and a great way to practice summarizing key information in the patient record. Please use the following criteria as you develop your scenario:

1. Your scenario should be just 1-2 paragraphs in length.

2. Include pertinent demographic information: race/ethnicity, age, gender, family structure, health needs (physical, emotional, social, spiritual, etc.), family dynamics that impact functioning, social determinants of health, etc.

3. Have fun and be creative! We want these to be unique, but also not so hard that people can’t find any resources to help. Try to be realistic and provide enough detail for them to get a good start.

Please answer each of the following questions in detail. Provide in-text citations and include examples whenever applicable

Please answer each of the following questions in detail. Provide in-text citations and include examples whenever applicable.
A.
Is a variable costing income statement applicable to service operations? If so, provide a hypothetical example of variable costing income statements in a service operation.
B.
What is the difference between variable costing and absorption costing income statements?
1. Provide a hypothetical income statement in both formats in which the number of units sold is different from the number of units manufactured
2. Explain the contrast between the two formats.
please response to each question carefully by providing complete examples.
use two or three resources, one resourse which is better to be used is financial and managerial accounting information for descisions by Wild and Shaw.

also response CLO S:
CLO 1 – Identify the role of managerial accounting in decision making, and the basic terms used to present useful information. Differentiate various global perspectives on the management of accounting and contrast them against US companies.
CLO 2 – Compute manufacturing costs of goods sold (cogs) and examine the decision-making process pertinent to job order costing and budgeting analysis.
CLO 5 – Analyze cost behaviors in relation to sales volume and making ethical managerial decisions that positively affect the bottom-line. Recommend strategies for problem solving related to these decisions.
CLO 6 – Analyze absorption costing and its effect on income and the costing of products. Interpret the criteria as it relates to general accounting principles.
CLO 8 – Determine cash flow reporting to include its purpose and format as it relates to statements, operating, investing, and financial activities. Discuss the importance of financial statement analysis in reference to decision making and audits.

Social Justice Issues in American History

Social Justice Issues in American History
Part 1: Research Paper
Purpose: The purpose of this portion of the project is
for students to complete a research project which combines historical research
about a social justice issue in American history with knowledge of its current
ramifications.
Knowledge: Students will learn about the historical
basis of a social justice issue that exists in the present day.
Skills:
Through the completion of this project, students will
acquire the following skills:
1.
Identifying an academic vs. a non-academic
source.
2.
Locating information contained within academic
sources.
3.
Composing an original thesis as the basis of
your writing assignment.
4.
Formatting an essay according to APA format.
5.
Writing a research paper to support your thesis.
Tasks:
1.
Identify the social justice issue you would like
to research.

2.
Conduct background research on your issue. This is where you gather more information
about your movement, narrow down your focus and choose the sources that you
will use for your research. You must use
a minimum of 5 academic sources. Examples of academic sources include the
following: books, academic journal
articles, websites (reputable websites typical end in .org or .edu), newspaper
articles, magazine articles, documentary films, and interviews. AS the purpose of this project is to gain
experience on college-level academic research, encyclopedia articles should be
avoided. Under no circumstances should
wiki sources be used (these are not peer reviewed)! If you have questions about whether
or not you have chosen an academic source, please consult with the professor.

3.
Compose a thesis statement. Make an argument about the social movement
you are researching (this should address why the movement is still relevant
today).

4.
Create an outline for your essay (this does not
need to be handed in—it is just a step in the writing process). The outline should begin with an
introduction (where you will present your thesis statement). The first section of your essay will discuss
the historical background of the social movement you have chosen (3-4 pages). The second section of your essay will discuss
current issues related to the social movement (2-3 pages). For the final section of this
project, students will write a conclusion reflecting on how their historical
research enriched or affected their perspective on the movement they
researched and/or discuss any contributions
they may have been inspired to make to the address the present issue (1-1
½ pages).

5.
Write your essay. Your essay must have an introduction, a
thesis statement and include all three required sections. It must be no fewer than 6 pages in length,
with the first section having a minimum length of three pages (including
introduction), the second section having a minimum length of two pages, and the
final section having a minimum length of one full page. It must also follow APA format and include a cover
page and a works cited page (abstract is not necessary and will not be counted as part of the length
requirement if included).

Poetry essay: The Painter by John Ashberry

In this unit, we have looked at poems “in conversation with” paintings. Sometimes, the poem has been written about the painting, interpreting it or building on it, and sometimes the painting has been paired with an existing poem to comment on the tone, mood or theme of the written work.
In Essay 2, you will examine the relationship between words and images, keeping in mind the idea of close reading and identifying poetic devices as well as the tips on “How to Analyze Visual Art,” both denotatively (defining what you see) and connotatively (interpreting what you see).
Part 1: By now you have chosen a poem from The Seagull Reader: Poems that we have not read as a class. Read, reread, paraphrase, and analyze that poem. Use the “free-write questions” to help guide your thinking. Finally, assert an argument in which you interpret the poem. What is the poet specifically saying beyond the literal about…life, human nature, art, love, sexual desire, aging, childhood, loneliness, family, death, or any other topic? Support your argument by showing how the poet creates that meaning through the use of various poetic devices. Feel free to bring in your own personal experience of the topic if it’s relevant.
These are some of the poetic devices and elements you should draw on for your analysis:
Diction and tone
Images (appeals to the five senses)
Figures of speech
Symbols
Sound and rhyme
Rhythm and meter
Form (the shape of the poem on the page: number of lines, short/long lines, number of stanzas, significant enjambment; line breaks, punctuation, capitalization, etc)
Speaker
Setting and situation
Personification
Allusions
Metonymy, synecdoche
Paradox
Metaphors; similes; allegory
Narrative
Alliteration; consonance; assonance
Irony
Hyperbole or understatement
Motif
Parallelism
Synesthesia
In all cases, use quotations from the poem to support your analysis.
As a supplement to our class discussions, you’ll find the introduction in the Seagull: Poems text very helpful: “How Do You Read Poems?” and “How Do You Write about Poems?”
Your completed essay should be roughly 1,500 words, and it should use proper MLA form for citations and a Works Cited page. The MLA forms specific to poetry are listed on “MLA citations for poetry how-to sheet,” which will be posted on Canvas. Use this to guide you in accurately citing the poems you quote.
Part 2: Find OR create an image (photo, painting, meme, gif, short video, collage, etc.) that you think reflects the meaning and spirit of your chosen poem as you interpret it. The visual image does not need to illustrate the details of the poem in any specific way – indeed, avoid an image that just literally mirrors the poem, such as a photograph of a fish for “The Fish.” Rather, the image should be “in conversation with” the poem, commenting on some part of its feel, or tone, or essential meaning to you. Use the guided free-write questions to stimulate and gather your thoughts about the image and its relationship to the poem. Anything goes as long as you can…
…make a reasonable and persuasive argument for the pairing! To that end, write a “process narrative” (500 words) explaining why you chose this image, and in what specific ways it reflects or comments on your poem. What, specifically, does the poem bring out about the image, and how does the image illuminate the poem? What new meaning or emphasis is created by this combination that would not be apparent if one looked at the poem and image separately? In what ways do the image and poem diverge?