How are artists complicit in the carbon economy according to Ghosh? How are other celebrities complicit?

Please respond to one of the following questions in 150 words or more
Ghosh writes, …The questions that confront writers and artists today are not just those of the politics of the carbon economy; many of them have to do also with our own practices and the ways in which they make us complicit in the concealments of the broader culture. How are artists complicit in the carbon economy according to Ghosh? How are other celebrities complicit?
Please paraphrase the following quote and then answer the question after the quote. It could not, of course, be otherwise: if novels were not built upon a scaffolding of exceptional moments, writers would be faced with the task of reproducing the world in its entirety. But the modern novel, unlike geology, has never been forced to confront the centrality of the improbable: the concealment of its scaffolding of events continues to be essential to its functioning. It is this that makes a certain kind of narrative recognisably modern novel. Why is it important for literature/art to begin to confront the improbable?

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